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What goes into making a video?
As per the debate over in the M/F lifts myspace video links thread, there doesn't seem to be a lot of clarity for some users as to why they SHOULDN'T distribute videos. I think the big problem that leads to copyright infringement is people just flat out don't understand the process that goes into making videos.
This is an issue that hits close to home for me, as I work in the entertainment industry and make the majority of my income from residuals. Hollywood has identified that the majority of people who pirate movies do it because they think everyone involved is a millionaire so "who cares if we take their money?", and has combated that by including people in the non-glamorous positions (grips, cameramen, stunt people) on commercials saying how the lack of residuals hurts them. A similar strategy was done by the WGA when the writers went on strike, basically saying "look, we're not millionaires" to the public which at first thought they were being greedy. I think this is the problem we're seeing here, people see how much these videos cost, assume that the producers are rolling in cash, and therefore it doesn't make a difference if they steal videos or not, or even see it as a service that they're allowing people to see the content that "greedy producers" charge for. Maybe the producers we have here going basically giving step by step details as to the process that goes into it, how much they have to pay out of pocket, etc can kind of paint them in a more sympathetic light... show that it's not someone filming their friends for free and then rolling in piles of money afterwords. I think the "Why is it so expensive?!! Why do I need a credit card?!! Why can't you ship to Nigeria?!!" complaints that are used to justify stealing videos could be decreased with the a lot more information. So, and mods please let me know if I am being out of line here (feel free to move/delete the thread if I am), I'd like this thread to sort of be a way for producers to give their side of things and hopefully help others gain some insight that may in help solve some of the copyright problems. |
It would take me several pages to get into all the aspects a producer confronts.
I have shot for the new owner of liftfit and later Builtmore and my own area/site antiquity productions and my clips4sale store. The amount of money in equipment outlay, location expenses especially when the talent flakes, all the time and effort it takes to get talent, making sure the talent can actually do decent lifts. all the special niches in the genre (you cannot please everyone) the risks that the shoot will be a failure, post production issues and on and on. Any problems or unexpected problems in the chain result in a loss that can never be recovered. I am currently assisting the new owner of liftfit evaluate what he has been doing for viability. He is disillusioned as he dropped the ball back in the days of $45.00 vhs tapes. I have been a huge advocate of avoiding piracy and supporting producers telling freebie seekers that they were pissing in their own drinking water. Years ago a friend and producer with a site know as liftnet.net pulled the plug, That was the beginning of the end, The proliferation of sites like youtube where snippits are hunted down as long as they are free geometrically speeded up the mess for producers. I can;t tell you how many time I found my stuff posted somewhere with no credit given, In terms of only a lift4sale store, unless a producer can keep updating his store sales drop to zero in two days. With full downloads at something like 20 bucks for an hour it is difficult for me to understand how people get so excited over a 20 second snippit that in most cases is far from professional. There are currently a couple of chinese clips4sale stores. They have their own stlye and I expect the girls there are less of a flake problem and productions costs quite a but lower than in the USA. If one uses a FBB you can expect a good $300.00 per hour fee and y9ou need more than one person in a L&C video. It is just a lot more expensive, frustrating and time consuming than people imagine, There is the other world of membership sites. here the producer hopes he can get a sufficient number of members to keep renewing to balance out expenses and also keep getting decent people to work with, We so often see the part 1 - 8 or more clips as they try to maximze a shoot and spead it out over time. In any event in this ba economy no wonder the she carries dude is tossing in the towel. |
I think being a diversive producer is almost a must with l&c, since it is such a niche fetish. I know liftnet had some success for awhile, probably because he was the pioneer in the field, but most other successful producers also used their models for other type of shoots to save setup and model fees. For instance, besides l&c these companies booked and shot a model for content on all their sites.
Lusa: wrestling, kicking, judo MFX: various fetishes Crazycarries: sleepy, necro, feet Lesfemmesfatales and Special Interests: wrestling Taylor: various fetishes Chloe Creations: feet, amazonian, domination stuff I'm not saying you can't be successful being primarily l&c oriented, Davemeister and Liftnandcarrying have been around for many years now, but it is tougher. |
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Add to that list: Herbiceps, KrivStudio and Herflexappeal. All of them focus on female muscle but will offer lift and carry at times. |
Krivstudio et al are membership sites not clip or video stores like Billwick.com who only sells downloads and DVD's. Kriv mainly follows FBB and puts up photo/video galleries to retain monthly members and yes he will occasionally put up spme L&C but he is not selling videos per se he is selling membership. It a very different approach,
Most L&C producers shoot from the or own perspective and their own point of view. But this is a red herring as the discussion was about piracy and financially supporting L&C producers. |
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Having no other fetishes, I wonder if creators of other fetish videos have the same problems with very specific preferences or if that's something unique to L&C. |
I don't think the niche market problem is unique to any particular fetish, or industry in general for that matter. The variety of tastes by individual consumers compels suppliers to provide diversified products to suit those wants. That's why you see fifteen different kinds of jeans at a clothing store or 21 flavors of ice cream at a parlor. The supplier must extend the product variability to cover as many of the niche markets as possible. To deny this fact is to stifle the viability of the production as a whole.
There is a brewpub in my town that is going to go out of business because the owner is trying to keep his establishment 'classy' by discouraging the patronage of college students. I live in a college town. By doing this he is diminishing his weekend revenue by at least 80%. Hedge your bets and diversify. |
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Regarding Niches. I think the best L&C stuff is by people who shoot what they like and have an understanding of. I recall someone wanted me to shoot a "balloon fetish" video for them having no understanding of the genre I said I could shoot it but not direct as I just din;t get it one iota so I requested the person who what interested to direct. They couldn't make it and insisted if I looked at samples I would get it. Well I didn't get it any more than I understand pedal pushing or why someone would be interested in showing a woman failing and strugling to shoulder lift a male.
Most people like liftnet had a personal interest in L&C and that is why most producers get started. kayak does what interests his personal taste as did I within what I could get talent to do within their limitations., Again the original issue by Filmguy had to do with piracy and we are off on red herrings. |
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Hello filmguy,
Thank you for trying to begin this thread. I could write a long posting with details of my thoughts, also with information about my work ?another time. Here are 2 notions: 1. One thing is to explain the lift and carry fans about the background and the difficulties to offer lift and carry videos online as a viable business in order to make them more sensitive against abuse and more open to support producers. 2. Another thing is not to discourage those enthusiasts, who are only 1-2 steps away from offering their stuff online by telling them how complicated and senseless it is (no viable business possible). This would be a shame. I agree with CMCWmod concerning the wildly divided community and their fondness for different l&c-details and also with Dendrin concerning the combination of fetishes for making a project viable. Maybe you consider that too much professionalism (one girl for all fetishes) does not guarantee the best l&c-result (see Homoancients posting about his balloonfetish-video). Probably there are people who are curious to offer their own content, though they know they cannot become rich of it. Is it possible to find a balance between hobby and business? I finally do not regret at all, what I did with shecarries. This was a damned thrilling time, a spice in my live, a counterpart of my straining job and I was also glad when a couple of customers told me they like the videos, I only just earned nothing. Thank you and best regards, Jo. (www.shecarries.com) |
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But I really do think, and I think boards like this do help, as we're able to communicate with you, Davemeister, Taylor, Homoancient and others who are involved in the production of videos, we have at least a name to go with the company.... putting a human spin on the dicussion makes producers less of a "faceless corporation," and in my opinion, harder to steal from. |
I just can;t tell you how much it urls me when I see so many freebie seekers going bonkers over a 10 second snippit clip when if they had supported the people who were producing full length videos there would have been a plethora of videos out there.
I just had to advise someone whi was on hiatus thinking of coming back to hang it up. That is pretty much the advice I gave myself after being screwed by Nercy from Builtmore. |
What goes into producing and selling lift and carry videos?
(some special information based on our work with www.shecarries.com) 1. Formal requirements (5% of work) In many countries (I produced in Germany) you first have to register a trade. You get a tax number. You have to pay sales tax for your subscriptions. You have to pay income tax, when you have profits. You must do a tax computation at least one time a year. Maybe you need a tax accountant, we needed one. You have to pay him. 2. Equipment (5% of work) Everything around a computer, a backup solution (at least an external hard drive), a video-cut-program, a web design-program (when you want to design your own website), a good video-camera, a professional reporter-headlight with a battery belt (when you shoot outside in the evening), a tripod, a wide-angle lens is useful, a car, a contractor for the payment, a web host and a domain (for your own website). 3. Finding models (25% of work) (?please don?t ask me, how exactly we find our models). But here are some notes: you can contact professional models by different ways, but it is not so cheap (compare also homoancients comment: ?a good $ 300.00 per hour fee?). If you work with amateurs or hobby-models it may be cheaper, but consider: one thing is to find girls for a (private) lift and carry video-session; another thing is to get the permission of them, that you may use the video for the internet. We found that amateur girls didn?t mind to do a private video-shooting but did not want to be online or even on youtube. Anyway you should respect the personality-rights and of course get the permission of the girls in writing. Furthermore you should be patient. We found, that maybe 2 of 10 girls that we contacted were finally willing to do a lift and carry video shooting for the internet. On the other hand this is a very thrilling affair. We also found that a girl, that first said ?No?, finally was curious to do it, because she heard from her girl friends that everything was OK. Sometimes we made a try-out date with girls in order to check what they can do, sometimes we did this in order to provide confidence for a video-shooting with us. Anyway you have to pay for this. 4. The place for the shooting (5% of work) Maybe you have an appropriate room or even a studio. If not you can rent a room for your session. Another possibility is to do the shooting outside like we mostly did. It is diversified and offers a large free moving space. We often selected the location for the shooting near to the contact address of the models to minimize pay-time or travel expenses. Here are some notes concerning an appropriate place outside: - not too much public and not too much noise (not near to a highway or a railroad line) - be careful with private areas (avoid the writing of a company label on your video) - it is useful, when you can reach the place by car - if you pick up the girls you can tell them further details for the shooting while driving - tell them more about this very rare fetish and encourage them for your shooting - don?t forget to check the weather report before the shooting-day 5. The shooting (5% of work) - check the girls and their clothing (amateurs: no cigarettes, no chewing gum). I have some sessions with bubblegum and those tough girls look so silly and I was angry afterwards because I did not notice it until I saw the movie on the monitor at home. - tell the girls how to start, what to do and where to go. - the more you have explained before, the less disturbing comments during the shot. - do the shooting. - pay the girls. 6. Prepare the video for the internet (35% of work) - copy the video-material from your camera to your computer. - check it and consider which parts of the movie you will take and what you will cut off. - first do the video-cut of the pictures. - then care for the sound. Cut off improper parts of the sound: We had about 5 times as much work with the sound-cut as with the video-cut. If you shoot outside there are often sounds like airplanes, barking dogs, rescue vans or you give instructions during the action (?throw him up, go faster,?). A good video should have an authentic sound but no extern disturbing noise or permanent directives, what the girls shall do. If you for instance cut off the noise of an helicopter you have to replace it by another sound (you cannot leave it blank, because everybody will think the video is defect). But if the girl walks on high heels, you should hear the clicking of her shoes. If you want to produce a good quality, you can take the sound of the walking heels from another part of the video and copy it to the place, where the helicopter was. But this will only succeed, when you stretch the sound the right way so that the snap of the shoes is congruent to the pictures. If you have done all this, you have an authentic sound without annoying noise or too much nerving comments. You can also completely delete the authentic sound and put music into the video. This is very simple but if you take music do not use copyrighted songs from the charts. For a commercial video you must search or buy non copyrighted music. I personally do not like only-music-videos. I rather want to hear the breath of the girls, just the original sound. We put in music for special parts such as slow motion scenes, also mixing music and original sound can be very nice. - when you have finished the cut, add a lead text and your symbol. - check the video, then encode it for the internet. - check the encoded video. - maybe you still adjust contrast, brightness and coloring, then encode it once again. We finally needed about 1,5 hours of preparations-work for 1 minute encoded video-material, that means about 90 hours of work for 60 minutes of online-video material. 7. Web design (10% of work) If you have your own website, you have to complete the design of the site for your new video (?photos, text, price, length and weight of the actors, sample-video?, ?). 8. Payment (5% of work) If you sell different separate videos like we did you have to install the payment via credit-card for your new video on your website. It is useful when you can handle at least a little bit of html-speech. I don?t have a good command of html speech and my english is not good enough to discuss technical problems. So we needed the support of our not very known german contractor Netdebit (and not the well known CCBill for instance). Without their help (technical telephone-support in german language) we wouldn?t have been able to run our site. 9. Upload to web server (5% of work) Usually the payment-contractor has a system with a password-protection, that must be installed on your web server, before you upload the new video. Then you can upload it via FTP-program. You also have to upload your new html-sites in order to complete your website before anyone can subscribe your new video. 10. Business We were quite naive when we started, believing that maybe 1 of 10 persons of the lift and carry community would subscribe for content. We sold our video-pools medial maybe 70-75 times. If you assume, that there are at least 3500 lift and carry fans around the world you see, that finally 2 of 100 were interested/willing/able to pay for the kind of content we produced. We would need about 8 of 100 (at least ca. 250 subscriptions) to get a business-model like ours to the point, where we begin to make profits and don?t have to work for free or have minus. Of course we could try to change or improve our business model (maybe offering 20 minutes-videos with 2 models for $ 20.00 as a kind of clips4sale instead of 60 minutes of mixed videos with more than 15 models for $ 30.00 like we did or minimizing our cutting time by completely deleting the original sound and putting music behind the pictures or especially investing a lot of time in advertising). But at the moment I am sure we would not get the point to make it viable. The number of people, who is interested to subscribe is too low and the offer of pay-content and especially free available content too great. Yet I would be glad, when this contribution helps to improve the situation and I hope it was not too much. Best regards, Jo. (www.shecarries.com) |
Wann wird das neue Video?
When will the new video? |
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Mir fehlen die Worte, (...what shall I say!) vielleicht in meinem n?chsten Leben, (...maybe in my next life) viele Gr??e, best regards, Jo. |
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Very interesting and detailed post, rflcblue.
Sadly I already own all the online video-pools on your site, so as long as there's no new content, I can't pay! Well, I'd even go for the other un-edited material that you haven't uploaded yet, if there's any way. |
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And on that note, it would appear that the lift/carry site from Argentina (http://www.esforzadas.com.ar/) is now dead in the water (the link doesn't even work anymore). Also a shame as there were some VERY attractive women performing lifts on that site. Was anyone lucky enough to be a member while it was available? |
Well, just like newspapers, Hollywood Studios and record labels, L&C is unable to find a viable business model on the web...
At least thanks for the effort, rflcblue. There were some good videos on your site. |
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...as to the argentinian website, I missed it. ...at least my site helped me to improve my english knolledges. I always read and write this with an online dictionary. |
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For me personally it would be an essential argument, when the IT-technic had a solution against this increasing problem. Though it might be very unpopular: when customers would accept (...and I know, that this is a critical point...), that they could only see the videos for a limited time (3, 6, 12 months), but could not download them, I could rather accept, that it might be a hobby for me to offer videos. Maybe there are other upcoming new technics, that you can download videos but not distribute it over the web. Actually I belief, that there will be new solutions in future. |
I have to say something. I ordered 2 clips from chloecreations, and I was very satisfied. BUT, I payed them 55 USD each (110 together) and then I saw (for my big surprice) that those site is selling those clips for 3 USD each.
Is that all right for a custumer? I think not, as it looks like I made myself an idiot. The only thing I should do is wait for a custum clip for someone to order and then pay it 3 dollars I guess. |
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Besides, on open platforms such as PCs and Macs, a determined person can even bypass any kind of protection to enable perfect copies. The reason is that no matter what you do, your customers must be able to receive and play back the content on their own computer. This means that any kind of protection can be bypassed by reverse engineering the software used for viewing your video. This is one of the reasons why game developers prefer consoles such as PS3 and Xbox 360 to the PC. (The consoles are locked down in hardware so that only software approved by Sony and Microsoft can run on them.) Technology can never prevent your material from being distributed illegally, but there are digital watermarking technologies that can make it easier to track down those responsible for distributing your stuff illegally. |
I agree with dp. Basically, you can fight technology only to a point. As I said before, pretty sure illegal distribution was not the problem. I bet you would be successful on your next try with a little better advertising, cost cutting, and better luck on your market timing (avoiding recessions :( )
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I wanted to do one more, but now I am a little bit frustrated. Why should I anyway? |
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It has always been like this. Go back 20 years in time and a 40 minutes custom vhs tape with 2 girls would cost USD 350. 15 years ago a 2 girl tape would cost USD 450. Any additional girl would raise the price with USD 150. Two years after the making of each custom tape, the tape could be selled by the producer to the public for about 50-60 dollars. This was the standard contract and you had to accept it, if you wanted a lift and carry tape. Look at it this way. If you hadn?t ordered the clips, they would never have been made. |
Rflcblue
Thank you very much for your long description. Is there any chance of you ever making any custom tapes in the future? You had some very pretty girls working for you! |
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The sense of it is that if nobody was buying customs, there would be no content. I'm sure most of the custom money goes towards paying models, which they probably couldn't do just on their own. If they didn't turn around and sell "your" video clips, where are they gonna get content from? I'm sure they made zero profit off of you, and are breaking even with the money they make from selling the clips. |
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As to custom-videos. I had a few requests, but did not want it yet. I exclude naked lift and carry. But I would be interested to exchange some thoughts with you (via e-mail, for instance my website e-mail, if you like also in German language?...) |
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for $ 3.00 everybody can decide to order that video. He must take, what he gets. But noone else than YOU has decided, what exactly is on the video and if they have done well you probably have the greatest pleasure of it. I began to shoot my own videos, because I did not find enough of what I exactly liked. Later I got the idea of an own website. When I am frustrated, that I lost a lot of money and time, I tell myself that I at least have done exactly what I wanted to do. And I ask you, what is this worth? ...and what is it worth counting dollars? So you are probably rather straight than beeing an idiot. |
Ich habe deine adresse aber deine mail nix funktioniert.
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The mail-adress should work, I have tested it; but I`ll keep an eye on it. |
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Rflcblue's rundown of the 10 bullet points to producing and distributing videos is as good a list as any I could make. Some of those points are weighted differently for different producers like any producer that exclusively distributes through clips4sale doesn't have to deal with payments, web design, hosting considerations and a few other factors. That comes at the price of 40% off the top going to clips4sale though. Most of the models I use are professional fetish or porn models and their hourly rates are less then most Fbbs or Amazons but I have to pay agency fees of $100 - $150 per girl for each time I shoot her(What a racket the agents have). When I shoot an L&C handjob or anything else with hardcore the models expect to be paid a set amount for that scene regardless of how long it takes to shoot or how long the final video ends up plus the agency fee of course. To give you an idea of how much I have to pay them consider that the guys in those clips get $200 - $250 just for that one video. One thing that I do more work on and spend more money on too is wardrobe and sets. Because I shoot so many different fetishes and some of those like BE and Gts Growth actually involve clothes being destroyed(so I often need 2 sets of identical outfits) I have to have complete wardrobe available for each and every model. Thats MUCH MUCH MUCH harder then it sounds. Think about all the different size and shape models I shoot and for each of them I usually go through 5-6 wardrobe changes minimum and that doesn't include all the clothes that they tried on but didn't like the way they looked in it. When I was in the biz and getting hired by different companies I showed up on set with 2 suitcases full of clothes so the directors had lots of choices. I guess those days are gone because most of the time the model shows up with just the clothes she's wearing or sometimes she'll have a bikini in her purse as her one piece of "wardrobe". I have a few more replies to other posts in this thread but I'll have to do that later because I'm heading out to Goodwill and then the Outlet stores right now because of a shoot I have scheduled for tomorrow. |
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At the moment I feel like I have done my contribution to this theme. Sometimes I am a little bit sad, but even more I am glad that I put down business. Besides it is better for the concentration on my regular job (?which finally financed my activities). |
Taylor dont forget to continue your post here!
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One general note: I visit this forum very often, although I don?t post much. I am glad that a couple of people created this place for L&C-fans. When I think of all the different fetishes around the world, I suppose, that hardly another group has such a kind place to exchange experiences. Thanks to the founders and especially to the excellent teamwork of the moderators! Jo. www.shecarries.com |
Jo! Was gibt neues ?
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Once again, I?m sorry for the moment, but maybe...comes a time..., finally I stay lift and carry fan for the rest of my life. |
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...mal ein bi?chen auf Deutsch schreiben ist auch nett. Es geht mir gut, aber ich freue mich auf den Sommer, die sich entbl?tternden Frauen und meine L&C-Aktivit?ten im Warmen, wenn ich die Gelegenheit bekomme. Viele Gr??e, Jo. |
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rfcblue, keine Duetsche, bitte. There is a German language thread. Here please use English. |
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Daniel: Jo, what is new? Jo: Thanks for asking! ? some words in German are also quite nice. I feel fine, yet I look forward to the summer, the girls in summerdress and my lift and carry activities, when I get the occasion. |
rflcblue i like to join shecarries, how can i contact?
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Just took a look at your site,, you had some neat videos.. I liked looking at yours to give me ideas for mine.. Love that you are German.. Guys speaking German has always been a turn on for me.. not sure why, I just love the way your language sounds, so guttural, I just find it very sexy.. See guys, it's ok to be turned on by things normal people don't understand.. I like blonde hair, blue eyes, leather pants and a German accent :)
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Nahm gerade einen Blick an Ihrem Aufstellungsort, Sie hatte einige ordentliche Videos. Ich mochte Ihr betrachten, um mir Ideen f?r meine zu geben. Lieben Sie, dass Sie. deutsch sind. Die Kerle, die Deutsches sprechen, ist immer eine Umdrehung an f?r mich. gewesen. nicht sure, warum, ich gerade die Weise liebe, klingt Ihre Sprache, also guttural, finde ich sie gerade sehr reizvoll. Sehen Sie Kerle, it' von den normalen Leuten don' eingeschalten zu werden s-O.K., der Sachen; t verstehen. Ich mag blondes Haar, blaue Augen, lederne Hosen und einen deutschen Akzent |
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I am always afraid, not to meet the right english words and sometimes don?t understand ambitious comments though using an online dictionary. So I am impressed that you have the nerv for this babelfish translation, less correct but anyway authentic and be sure, every german guy will understand the essence and be glad. I wish you good luck for your activities, Jo. |
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Thank you Dendrin, your information is correct. I do not plan to reactivate selling videos via my website, probably via clips4sale sometime. But at the moment private issues and my job have priority. Finally I am rather a lift and carry fan than a businessman and I am a little bit ashamed, when I see a request or a friendly comment sometimes. But at the moment I have not enough time and I am not ready yet to start again. |
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English is so complicated and I would assume very difficult to learn.. Thanks for the reply :) |
rflcblue, pls contact me. here is my adress:
http://landcforum.com/forums/showthr...?t=123&page=10 |
According to me noone other than the person who has passion for lift and carry can make money out of producing lift and carry videos. I have been incurring losses as well as having profits at time on few videos. But frankly speaking I am not bothered about the profit or loss as I am not producing lift and carry stuff for money. Its my passion and love and I will be producing them as long as I can afford them. Though if one earns profit it gives motivation to produce more videos. That will always be motivating factor. Most of the producers here are producing videos for making money and thats the reason they get disheartened after some time and stop producing videos. If someone like me who is die hard fan of lift and carry produces the video its a different scenario. Person who loves this fetish will love to do anything for this fetsish no matter how much sacrifice he has to do for this. Problem is most of the producers are doing this for money. And people who are die hard fan of lift and carry are not producing the videos due to some compulsions. If more and more people who love this fetish start producing the videos then this problem will subside. :thumbup1:
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Dave makes a good point about girls learning to lift "on the fly". Sometimes you get a nice surprise, but generally they are overly cautious and can lead to boring videos. Some are just very weak and shouldn't be doing l&c. Variety is good, but if you find a good pair of girls that do lifts well I would stick with them for many shoots and then you can get some more advanced lifts, which of course would lead to more profit.
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